ABOUT

Angela Wingerath studied opera and recital singing from 1998 to 2004 at the University of Arts, Berlin.

Through collaborations with composers for new music during her academic studies she started to explore experimental vocal techniques. Her performing takes place in the broad range between classical singing and experimental voice expression. Besides the recital singing she is particularly interested in modern music and free improvisation.

Her many-sided means of expression has led her to a variety of different musical and acting contexts. Besides national and international interdisciplinary performances, engagements at the Deutsches Theater and Berliner Ensemble and in concerts of free improvised music she has sung several premiers of modern experimental music. In this context she worked together with composers like
Michael E. Edgerton), Kent Olofsson, Alex Nowitz, Zorka Wollny and Amir Shpilman.

Details

2008 the AV Festival (England) engaged her for a collaboration with Ars Nova (Sweden) for the premiere of “A Marriage of shadows”

2011 the Connect Festival (Sweden) for a production about Wittgenstein’s philosophy of language with Teatr Weimar and Ars Nova “A Language at war”.

2013 she was invited to Kuala Lumpur to participate in a research project for experimental voice run by the University of Malaysia.

2015 she toured with “A language at war” in Germany and Austria.

2016 collaboration with Auditiv Vokal : premiere of “Abaqabatur” (M.Edgerton) and beginning of
“Extending Voices” with Alex Nowitz.

2017 premier of “Sirene Segmenti” (M.Edgerton) at chor.com;
premier of “Tiferet” (Amir Shpilman) at Gorki Theater, Berlin;
since 2017 recitals with improvisations and works of Alban Berg, Brahms and Schubert together with
Antonis Anissegos (Piano);

2018 premier of “Dissent” (Zorka Wollny) at Hebbel Theater, Berlin;
masterclass with Sarah Maria Sun at Halberstadt : “interpretation of contemporary vocal performance”;
Muziek Biennale Niederrhein and Klangwerkstatt-Festival , Berlin with AUDITIVVOKAL, Dresden

2019 workshop at chor@berlin about contemporary vocalmusic;
speaker at Dresdner Stimmsymposium “voice in modern music”with AUDITIVVOKAL, Dresden;
opening concert at Steirischer Herbst, Graz – vocalperformance (composition by Zorka Wollny)

2020
Vocal Performance as a opening of Winterbühne (Neues Schloss, Bad Muskau)

Webzert „Schützraum, a musical “Äthernettheater„ in collaboration with Auditiv Vokal and Hybrid music lab, Dresden

Speaker and performer at the Symposium on Contemporary Choral and Vocal Music in the 21st Century #HighTech = #HighHumanism?!

virtual residency between AuditivVokal Dresden and Michael Edgerton Malmö
sponsored by the Göthe Institute

2021
Within the framework of an FEB grant – intensive research on Alfred Wolfsohn (Auditiv Vokal)

Contribution to EVICTION SONGS – sound installation (Zorka Wollny)

Amproprification #6: Missa Papae Marcelli (Maximilian Marcoll) im HAU Hebbel am Ufer (Auditiv Vokal)
CTM-Festival Berlin

NOCTURNE – a song recital with solo piano & improvisations
with works by Barber, Glass, Chopin, Brahms, Schoenberg and Crumb (with Philine Kanter)
at the Centre Bagatelle (with the support of the dezentrale Kulturförderung)

Premiere | Vita fluida – Musiktriptychon (Auditiv Vokal)

Download infotext and images.

MEDIA

click on image! "Tiferet" (Amir Shpilman) Gorki Theater, Berlin performance "Dissent (Zorka Wollny) Hebbel Theater, Berlin Matthias Badczong/clarinets; Elena Kakaliagou/horn; Angela Wingerath/voice; Ulrike Brand/cello; Matthias Bauer/double bass "Stimmig- 10 Vokalexcusionen" - a film from Lena Giovanazzi "Stimmig- 10 Vokalexcusionen" - a film from Lena Giovanazzi

Situation Ojects Trailer I (Amir Shpilman)

George Crumb "Night"

Situation Ojects Trailer II (Amir Shpilman)

"Tiferet", Gorki Theater

"Ohne Thomas" - quintet

glottal whistle

AV Festival - A Marriage of Shadows

#1 - improvisation

#2 - improvisation

#3 - improvisation

Teatr Weimar - A Language at War

Alban Berg "Im Zimmer"

Hugo Wolf "Heiß mich nicht reden, heiß mich schweigen"

– Glottal Whistle –

we assume that the vocal folds are more or less in a mostly adducted and stationary position –

when the folds allow a slight leakage of air through a mostly closed glottis, then a vortex-

induced disturbance on the airstream may develop at the upper edges of the vocal folds.

Not only is the timbre unique, but more importantly,

is capable of producing up to four (or more) independent frequency contours,

and thus produce a multi-voice counterpoint within a single face.

M.Edgerton, “The 21st century voice”

AV Festival 08 presented the world premiere of this new work by musical innovator Michael Edgerton reflecting journeys and traffic movement. A Marriage of Shadows is a modern classical composition for voice, flute, saxophone, guitar and percussion focusing on new sounds within complex structures. The work is formally influenced by the study of networks — in this case, the roadmap of Middlesbrough and the surrounding area. Part of the process involved mapping the routes between one central location in Middlesbrough and five other places in the surrounding Tees Valley. These were then placed under a series of circular grids with nodal points generating data to determine pitch, rhythm and gesture. Additional information was gleaned from the work involved in building the new Phoenix Building (the University’s Institute for Digital Innovation) and the resulting traffic congestion.

EDUCATION

Studio For Voice Berlin Mitte

If you’re interested you’re welcome to contact me

Find more information:

www.angela-wingerath.de/education

REPERTOIRE

on it’s way…

CONTACT & BOOKING

Angela Wingerath

+49 (0) 177 617 09 05

IMPRINT

Photography:

Lena Giovanazzi

According to § 5 TMG:

Angela Wingerath
Strelitzerstrasse 62
10115 Berlin

Disclaimer

Liability for content

As a service provider we are responsible according to § 7 paragraph 1 TMG for own contents on these pages under the general laws. According to §§ 8 to 10 TMG we are not obligated as a service provider to monitor transmitted or stored information, or to investigate circumstances that indicate illegal activity. Obligations to remove or block the use of information under the general laws remain unaffected. However, a relevant liability is only possible from the date of knowledge of a specific infringement. Upon notification of such violations, we will remove the content immediately.

Liability for links

Our site contains links to external websites, over which we have no control. Therefore we can not accept any responsibility for this external content. The respective provider or operator is always responsible for the contents of any Linked Site. The linked sites were checked at the time of linking for possible legal violations. Illegal contents were at the time of linking. A permanent control of the linked pages is unreasonable without concrete evidence of a violation. Upon notification of violations, we will remove such links immediately.

Copyright

The contents and works on these pages created by the site operators are subject to German copyright law. The reproduction, adaptation, distribution and any kind of exploitation outside the limits of copyright require the written consent of the author or creator. Downloads and copies of these pages are only permitted for private, non-commercial use. Insofar as the content is not created by the website operator, the copyrights of third parties. Contributions of third parties are marked as such. Should you still be aware of copyright infringement, we ask for a hint. Upon notification of violations, we will remove such content immediately.